1925-1988

Fortress Europe & Moonflower

1925-1988is a delirious lockdown collaboration between Leon Radojkovic of Fortress Europe, and Scott Satherley of Auckland doom juggernauts Demons of Noon, working under the moniker Moonflower. The EP combines the cinematic Eastern European fervour and instrumental sophistication of Fortress Europe with the gothic Mama's & The Papa's vocals
1925-1988 is a delirious lockdown collaboration between Leon Radojkovic of Fortress Europe, and Scott Satherley of Auckland doom juggernauts Demons of Noon, working under the moniker Moonflower. The EP combines the cinematic Eastern European fervour and instrumental sophistication of Fortress Europe with the gothic Mama's & The Papa's vocals and weird poetry of Moonflower. The result is a primal and emotive psychedelic odyssey and ecstatic confrontation of existential angst, romantic longing and erotic mysticism.
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Amadeus

Fortress Europe

Amadeus is a reimagining of selected works and fragments of works by Wolfgang Amadeus Mozart, performed by a 12-piece band and featuring soprano Madison Nonoa and bass-baritone Joel Amosa. The arrangements utilise interweaving post-rock guitars, haunting synths, spaghetti-western trumpets and trip-hop inspired drums, alongside more traditional
Amadeus is a reimagining of selected works and fragments of works by Wolfgang Amadeus Mozart, performed by a 12-piece band and featuring soprano Madison Nonoa and bass-baritone Joel Amosa. The arrangements utilise interweaving post-rock guitars, haunting synths, spaghetti-western trumpets and trip-hop inspired drums, alongside more traditional orchestral instrumentation such as woodwinds and strings.

The album was inspired by bandleader Leon Radojkovic's award-winning work as musical director for Auckland Theatre Company's production of Peter Shaffer's play Amadeus, directed by Oliver Driver, and starring Michael Hurst and Ross McCormack. Radojkovic's goal was to create a new interpretation of Mozart's work that remained true to his music and spirit, rather than simply reproducing a facsimile, while avoiding at all costs the tired trope of “rock band plus orchestra”.

The recording features only a partial selection of the over 20 pieces which were performed in the Auckland season. They are presented chronologically as they were composed, and only the section of each work which was featured in the production was recorded
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